Hey friends,

Iโ€™m really sorry for going silent these past four weeks. I know some of you were looking forward to the next newsletter, and I appreciate your patience.

To be honest, I was burnt out.
Between May and mid-June, I held three photo exhibitions. For each one, I made new darkroom prints and constantly thought about how to make it a fun and memorable experience for those who came.

When it was all finally over, I lost sight of what I was working towardโ€”and with that came a wave of negativity.

Is it really worth spending so much time and money on photography?
I started asking myself questions like that. At one point, I even thought about quitting altogether.

I felt incredibly alone and unsure.

And then came a turning point. I met someone who told me he loved my photography. He bought one of my zinesโ€”and even ordered a print.
Since he lives overseas, I already knew Iโ€™d be shipping internationally, but as I wrote down his address, I couldnโ€™t help but feel a sense of excitement: My photo is going all the way there.

Thereโ€™s someone out there who truly connects with what I create. That simple fact re-lit the fire in me. Because it reminded me: Iโ€™m not alone.

And I remembered why I make zines in the first place. Itโ€™s to share my world with someone elseโ€”and to find people who see beauty in the same strange little things I do.

๐Ÿ“ธ This is a preview of my latest zine, โ€œ404 CONTACT SHEETSโ€. (You can view it on mobile, but for the best experience, I recommend checking it out on a computer.)

The beauty of zines is that you control everything. If your favorite color is red, you can make a zine filled only with red thingsโ€”and call it โ€œThe World of Red.โ€

A zine is like a scrapbook of everything you love. A space to express your ideal world exactly how you see it.

I shoot on film. I develop every roll myself. And I love that moment when I first see the images under my ceiling light. Each roll has 36 frames, and every one holds a moment that moved me.

From dancers in Shinjuku, to snowy days in Tokyo, to wild nights at the club, to rocket launches and Taipei street scenesโ€”my zines are how I share the moments Iโ€™ve witnessed.

I donโ€™t just want you to see the final selects. I want you to see the entire roll. Thatโ€™s why I created โ€œ404 CONTACT SHEETSโ€โ€”to show not just what I shot, but how I saw.

If my work resonates with you, Iโ€™d be honored if you picked up a copy and helped support what I do.

A zine lets you pour in every niche obsession no one else understands. So if youโ€™re thinking about making one, donโ€™t chase whatโ€™s popularโ€”lean hard into your weird.

The more specific, the better. Because when someone else finds it and says, โ€œThis is amazing,โ€ youโ€™ll know youโ€™ve just met a new best friend.

Yusuke Nagata